Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Thursday, October 15, 2015

Favorite Egyptian Jewelry Tutorials

Swarovski Elements recently released a new coating for crystals and crystal pearls they call Scarabaeus. The finish is a beautiful iridescent blue-green-purple which is very much like the opalescent shell of a fantastic beetle. I can’t remember the last time I was so excited about a new Swarovski innovation – I’m very much looking forward to seeing these new jewels in person. Although the finish is a bit on the lighter side, I think I can come up with some Nefertiti-worthy ways to use a few key pieces.

Bead colors aside, I’ve been noticing a lot of other Egyptian inspirations in the jewelry circles I like to travel in. Tutorials for cobalt and crimson beadwork, new collar styles, and rustic turquoise pieces keep popping up to brighten my day. These are a few of my favorites:

Nefertiti Bracelet by Artbeads.com

There’s a great mix of color and texture in this
Nefertiti Bracelet tutorial by ArtBeads.com



Alexandria Necklace by Beadaholique.com

The technique may be simple, but this Alexandra Necklace project from Beadholique.com
perfectly captures the look of real Egyptian strung necklaces.



Leather Wrapped Bangle by AuntiesBeads.com

Bold gemtones and colorblocking win again in this leather wrapped
bangle project from AuntiesBeads.com



Broad Collar by Instructables.com

There’s lots of room for variation and pattern in this beady
eyepin and gemstone collar from Instructables.com



Turquoise Teardrop Earrings by NotMerelyLiving.com

Nothing captures the look of ancient jewelry quite like rustic gemstones,
Which are perfectly showcased in these turquoise earrings from NotMerelyLiving.com



Wireluxe Necklace by Artbeads.com

Finally, metals are a great way to capture the Egyptian look – even without gold –
like in this wirework collar project from ArtBeads.com


Which Egyptian color or motif do you find the most inspiring?

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Thursday, September 3, 2015

Ancient Worlds Modern Beads Preview

We have just under a month until the official release date of Ancient Worlds Modern Beads– although some readers have received their copies already, and the response has been great so far! Thank you so much to everyone who has given the book a chance. It’s very exciting to know that readers will soon be able to learn the techniques and draw a little inspiration from my own favorite sources.

As promised, I’ve created a slideshow preview of every design featured. There are 30 projects in all – necklaces, bracelets, rings, and earrings all inspired by the ancient world. The video will give you chance to view all of the finished designs and some of the techniques covered in the book. I’ve only included the main designs – most projects also include examples of variations on color, materials, or style. In other words, there is a lot of jewelry squeezed into these pages!

For the most part, the projects are showcased in the video by the same order you'll find them in for each chapter of the book. Each civilization has its own section, with 10 projects for different skill levels - from beginner to advanced. In writing Ancient Worlds Modern Beads, I did my very best to provide the same attention to detail that Inspirational Beading readers have come to expect for both basic techniques and complete projects. Each chapter is also sprinkled with extra tips for getting the best results, creating variations, or finding the best materials for a design.




The inspirations are quite varied, though most projects are modelled after real ancient jewelry from Egypt, Greece, and Rome. Several pieces draw on the icons of ancient deities like Juno and Demeter, while others invoke the things we admire about the classical world. Many of my favorite designs are covered, including those that many Inspirational Beading readers have requested in the past such as the chevron collar, herringbone coil bracelet, and chevron lariat.

Nile Necklace from Ancient Worlds Modern Beads Necklace of Sithathoryunet - Met Museum

Nile Necklace Project

Amphora Cuff from Ancient Worlds Modern Beads Terracotta Lekythos - Met Museum

Amphora Cuff Project


Which project are you most interested in? Are there any techniques not covered that you’d like to see in a future tutorial or book? I would love to hear your thoughts!

Copyright 2015 Inspirational Beading
Barron's Educational Series and The Met Museum
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Tuesday, April 28, 2015

Introducing: Ancient Worlds Modern Beads

Ancient Worlds Modern Beads by Mortira Natasha vanPelt

The time has finally come to reveal the secret project that I’ve been working on for the past two years. There have been many bead teasers along the way, and I’ve dropped a few hints about the purpose behind the exciting designs that have passed through my workspace. At last I can say that it’s all been for the production of my first beading book: Ancient Worlds, Modern Beads.

I am very excited to present this collection of projects, all inspired by Ancient Egypt, Greece and Rome. Some of my all-time favorite designs are included with step-by-step instructions, along with oft-requested tutorials that will finally be available in full detail. There are lots of collars, bracelets, necklaces and rings to make using seed beads, glass, and natural beads. I’ve also bent my metal rules just a bit to include 4 earring projects that coordinate with many of the other pieces in the book. It was a tough decision to make, but ultimately I wanted to create the best selection of projects possible - and there were just too many great earring inspirations to pass up!

There are 30 projects in all – ten from each civilization. The projects are inspired by the culture, mythology, art and jewelry of the time. Many pieces recreate the look of actual ancient artifacts, while others capture an essence of each region and its legacy. The Egyptian projects were some of my favorites to create, of course. Greece and Rome offer up some pretty amazing inspirations of their own, and I can't wait to share them! It was incredibly fun to design each piece, and I hope that readers will love to recreate them as well. The book also includes some gorgeous handmade backgrounds, with textiles by Elaine Partington and glass by Matthew Durran.

Amarna Glass Earrings from The Met Amarna Beadwork Earrings from Ancient Worlds Modern Beads

Amarna Earring Project Inspired by Ancient Egyptian Relics


Ancient Worlds, Modern Beads will be published later this year by Barron's Educational Series. It is available now for pre-order from Indigo and Amazon.The official cover has not yet been revealed, and there are plenty of details still to come. I’m planning to release a full preview of all of the projects for you closer to release time. Meanwhile, I want to thank the creative team at Quarto for helping get this book off the ground, and for all of their hard work on bringing it together.

Roman Medallion Necklace from The Cleveland Museum of Art Juno Pendant from Ancient Worlds Modern Beads

Juno Pendant Project Inspired by Roman Medallion Jewelry


I also want to extend some very special thanks to every Inspirational Beading reader for your patience and support during these two hectic years. Being able to share my projects with you – if only as teasers – and reading your wonderful comments kept me going whenever I felt I couldn’t bead another stitch. Thank you for joining me here every week, and here’s to many more creative journeys!

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Thursday, November 13, 2014

Throwback Thursday: The Peace Symbol

While the words “peace symbol” can generally mean anything - such as an olive branch - in Western culture they bring to mind a very specific shape. You’ve probably seen them on earrings and pendants in every material you can imagine, from wood and plastic to metal and gemstone. The peace symbol is a very popular motif for jewelry with a retro, groovy, or faux boho style. It often gets paired with the classic happy face, mod flower motifs, and fractal patterns.

Ray of Peace Necklace Tutorial by Artbeads.com

Ray of Peace Necklace Tutorial by Artbeads.com


The story behind the sign is actually a very interesting one. The Direct Action Committee and Campaign for Nuclear Disarmament in Britain needed a symbol for it’s 1958 march on the Atomic Weapons Research Establishment. Artist and designer Gerald Holtom originally created a line drawing in the shape of a person showing despair, with a circle around it. Ultimately wanting a more hopeful banner for the movement, Holtom inverted the symbol. The final design is made up of overlapping semaphore signals for the letters N and D - Nuclear Disarmament. Two years later, the badge was brought into the US by a university student, and it quickly became the unifying symbol of both disarmament and anti-war groups across North America and Europe.

Do you have any peace symbol jewelry in your stash?

Copyright 2014 Inspirational Beading
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Thursday, October 23, 2014

Throwback Thursday: Elizabeth’s Pearls

Nobody does lavish jewelry quite like royalty, and Queen Elizabeth in particular took personal adornment and fashion to a whole new level. Her many portraits provide an amazing look at jewelry trends of the time, which included an awful lot of pearls.

Queen Elizabeth I Armada Portrait Portrait of Princess Elizabeth Wearing the A Pendant


The love of pearls likely comes from the recently thriving freshwater pearl industry of the area. Scottish pearls were abundant and a valuable commodity at the time. Even in her youth, Princess Elizabeth is seen in portraits wearing her mother’s pearls – Anne Boleyn’s famous initial pendants.

What’s your favorite type of pearl bead?


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Wednesday, July 30, 2014

Work in Progress: Ancient Roman Glass

I had been drooling over Ancient Roman glass beads for over a year when I finally got lucky enough to spot a big sale on a fresh haul, while I had enough room in my bead budget to shop. The least expensive strands are always the first to go, so it's a race to snap them up in time. It was so exciting to finally get my hands on a strand of 900 year old glass! This week I've been experimenting with the unusual pieces for a necklace or two.

Ancient Roman Glass Necklace in Progress


What’s interesting about Ancient Roman glass is the variations in color. Some are perfectly clear, while others have strange patterns in varying shades of brown and white. Many of them look matte, but in fact the surface is very smooth - the “flaws” are within the glass, not on the outside. I decided to use this as an advantage, and I started by sorting out my beads by color, then matched palettes to each group. So far I’m loving how they look with simple beadwork.

What are you making this week?

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Thursday, January 3, 2013

Beads: An Exploration of Bead Traditions Around the World

Over the past decade or so, I’ve read dozens - possibly hundreds - of books about beads, jewelry, and bead crafts. Some are better than others, and many have made their way into my list of personal favorites. Titles like Mastering Beadworkand The Beader’s Color Palette come to mind. The more information contained within the pages, the more precious a book is to new and experienced beaders alike.

Although technique and inspiration books are invaluable, I particularly enjoy titles that increase my knowledge of the materials we use in our work. For anyone that enjoys learning about the history of beads, and the origins of our favorite bead materials, I have good news. I have found the perfect bead book.

Beads: An Exploration on Bead Traditions Around the Worldis quite possibly the best encyclopedia of beads ever written. Janet Coles and Robert Budwid provide a wealth of information that is not only easy to digest, but a pleasure to read. The book is also filled with hundreds of color photographs of beads, artists, antique and modern jewelry, and indigenous peoples from around the world, dressed in traditional beadwork that is sure to inspire.

Beads is divided into five chapters, each representing a different area of the globe: Europe and the Middle East, Africa, The Indian Subcontinent, The East and Oceania, and The Americas. With exquisite detail, the authors highlight some of the characteristic and traditional beads and jewelry materials from each area, such as glass and jet from Europe, or jade and Thai silver from Asia.

Readers will be delighted to learn about both ancient and modern bead making techniques, and which styles and materials have been passed down from early civilizations. Janet and Robert don’t skimp on the details, or gloss over the grittier facts of bead making, such as the perils of mining Afghani lapis from land-mine territory. Beadweavers will really enjoy the section on how Japanese seed beads are created, from start to finish. Every bead lover or collector will enjoy the bead maps that introduce each continent, and highlights some of the signature beads from the region.

Each chapter includes necklace projects - plus earrings, a belt, and a square-stitch Delica bracelet tutorial - using beads and jewelry styles from each region. The projects are inspired by genuine jewelry from exotic locations, many of them vintage or ancient pieces that were borrowed from private collections for the book. The instructions include a full materials list, and tips for finding or replicating the beads used, plus step-by-step directions and diagrams.

If you adore beads, or just want to learn a lot more about your favorites, you will love curling up with a copy of Beads: An Exploration on Bead Traditions Around the World.

Copyright 2013 Inspirational Beading
Janet Coles, Robert Budwid and Simon & Schuster
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Friday, November 2, 2012

Book Spotlight: Zulu Inspired Beadwork

Zulu Inspired Beadwork by Diane Fitzgerald

Because so many of the beadweaving techniques that we have come to love have ancient origins, it’s only natural when we want to use them to make traditional looking jewelry and beaded art. The beading methods, colors, and patterns that we choose can result in designs that make us look back to our roots, and appreciate the innovations of the beaders before us.

All over the world, the art of beadwork is still being used for traditional adornment, and being passed down through generations not only for social and ceremonial purposes, but to give families a source of income by supplying unique jewelry for international trade. Some of the most beautiful and intriguing beadwork comes from Africa - a continent where beads and jewelry are an important, though not always pleasant, part of history.

In Zulu Inspired Beadwork,renowned beader Diane Fitzgerald shares some of these histories, along with beautiful descriptions of traditional beadwork from South Africa. Diane goes into great detail about the origins of the beads and techniques used by Zulu women to create their work, the importance and meaning of the colors they prefer, and how the beadwork is used both personally, and as wares for the tourist trade.

After visiting villages, studying the beadwork, and even deconstructing finished pieces, Diane has completed full tutorials for some of the most popular and stunning Zulu beading techniques. Some of them will be familiar to readers, like the Ladder Chain (African Helix) and Zig-Zag (Chevron) chain. Others are departures from basic techniques like ladder stitch and netting, and some are completely unique.

There are 22 Zulu beadweaving techniques covered in the book, each with step-by-step instructions and clear diagrams. Diane has provided many examples of color and pattern variations, and many of the projects include photographs of genuine Zulu designs to help inspire you.

If you enjoy making unique pieces, or want to explore new and exciting techniques, Zulu Inspired Beadworkwill provide many new ideas and test your skills!

Copyright 2012 Inspirational Beading
Diane Fitzgerald and Interweave Press
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Friday, July 20, 2012

A Bead Adventure

Yesterday my partner and I went on a fantastic trip to the bead shop capital of Vancouver Island. Truthfully, we went to see the dinosaur exhibit at the Royal British Columbia Museum, but there just happened to be a lot of beady things going on. Before I show you the new beads that I picked up while I was in Victoria, I want to share some of my favorite sights from the museum.

Eagle Totem, Victoria BC


I wish that I could tell you more about the objects I saw, but it’s impossible to read plaques when you’re with an eager group. I can tell you that most of the exhibits focus on the culture and history of British Columbia. Also, my camera is rubbish at indoor photos.

First Nations Exhibit, Royal BC Museum


First, some fantastic beadwork, including a Victorian era beaded scallop purse and some gorgeous First Nations bead embroidery. I was hoping and expecting to see something that involved beads, and was surprised to find them in nearly every exhibit.

Victorian Beaded Scallop Purse

Bead Embroidered Purse

Floral Bead Embroidered Pouch

First Nations Bead Embroidery


And there was plenty of inspiration to be found, including a fantastic steampunk-esque ocean life exhibit (which we all loved), a fossilized nautilus, and a hiding Sphinx.

Family Totem, Royal BC Museum

The Ocean Room, Royal BC Museum

Victorian Era Sphinx

Fossilized Relative of the Nautilus


And now for the beads. It has been so long since I’ve shopped in person at a bead shop, so I couldn’t leave without visiting a couple of downtown stores. I was hoping to find some unique beads that can’t be found anywhere else, and although I did grab a few things, I wasn’t as lucky as I had hoped. Both shops had a fantastic selection of gemstones and Chinese glass, so I was left with a few choices in natural materials.

I hadn’t planned on buying any seed beads, but I saw all that color and couldn’t resist. It’s interesting that I purchased different versions of exactly the same thing from each shop, but I guess it’s natural to chose one’s favorites.

Victoria Bead Shop Haul


At Victoria Bead Town Designs, I found two lovely vials of opaque seed beads, and a gorgeous carved bone feather. I had my eye out for front-drilled pendants that I could combine with a whole bunch of tagua beads I ordered last week, and this was my favorite.

Then it was on to The Bead Shop, where I eagerly scooped up two luxurious hanks of transparent seed beads - I didn’t even realize until later that they almost exactly match the other vials. I also found some carved bone ankhs, and I had to stop myself from buying the lot. I stayed well within my budget, but I’m more than thrilled with what I brought home.

Many thanks to Leah at zombies wearing helmets for the head's up about the fantastic dinosaurs exhibit, and giving me an excuse to shop for beads!

Do you shop at a Local Bead Store, online, or both? Which do you prefer?

Copyright 2012 Inspirational Beading
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Wednesday, July 4, 2012

Book Spotlight: The Bead Jewelry Book

The Bead Jewelry Book

I think most beaders would consider themselves collectors on some level, considering how much time we spend hunting for unique and versatile beads, sorting and organizing them, and showing them off. But can you imagine collecting beads and keeping them just the way you found them?

Expert bead collector and enthusiast Stefany Tomalin shares her amazing and varied collection of beads and beaded jewelry in this fantastic book filled with histories and facts about our favorite beads. Hundreds of bead types and jewelry styles are showcased through The Bead Jewelry Book,The Bead Jewelry Book including everything from ancient stones to modern plastics.

This book is a must read for anyone that appreciates or works with beads and jewelry. There are four chapters in all, broken down into subsections that are packed full of fascinating and useful information about the origins of beads and their materials, techniques for making beads, and the history of beads in fashion. Although the text is written from an academic perspective, each chapter also contains instructions for creating wearable jewelry from the beads being discussed.

Stefany begins with natural beads and their qualities, including: seeds and organic matter; shell, pearl, and coral; amber, jet and precious and semi-precious gemstones. Readers will learn about the first uses for these materials as adornment, how and when beads were manufactured, and how to care for new and vintage natural beads.

Other sections cover metal beads, glass, plastic, polymer clay, beaded and decorated beads, and of course seed beads (referred to here as embroidery beads). The Bead Jewelry BookThe Bead Jewelry Bookalso explores modern and traditional jewelry making techniques, jewelry styles, and their place in fashion over the last century. There are also in depth explorations of specific jewelry types, such as collars and pendants. Every chapter is a wealth of information that will appeal to crafters, collectors, and designers alike.

The jewelry projects sprinkled throughout the book are simple enough for a budding crafter to try, but there are very few diagrams to follow. Experienced designers will love the photographs of finished jewelry and vintage designs, which provide plenty of inspiration for boho, tribal, and 1920’s style jewelry. Bead collectors and jewelry upcyclers will appreciate Stefany’s tips on finding and identifying authentic vintage and antique components.

The Bead Jewelry Book is a bit of a relic, from a time before online bead stores and world famous beadweaving magazines. The more traditional perspective makes this book the perfect resource for any beader who wants to get back to basics, or work from the ground up!

Copyright 2012 Inspirational Beading
Stefany Tomalin and McGraw-Hill
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Saturday, June 16, 2012

Bead Love: Nature vs. Nurture

Last week we got to meet the Beading Buds, and talked a bit about how our obsessions with beads begin. Since then, I’ve been thinking a lot about what my own beading origins are, and the more I consider the possibilities, the more mysterious it becomes.

The most obvious source of bead-craze for me is my mother’s seed bead collection. When I was very young, she practiced Native American style bead embroidery, and also made some amazing loomwork pieces. To this day, I swoon a little at the scent of suede and rabbit fur. I loved everything about the craft, from the materials to the finished projects, but the loose beads were my favorite.

Mother bought and stored Czech seed beads in clear film containers, and stored them in a big vintage sewing box. I spent hours upon hours just looking at all the little vials of color. My favorite was an enormous bottle of lustered transparent cranberry. Today I think that it might have something to do with my notion that seed beads are always more appealing in huge quantities.


Seed Beads in Plastic Bottles


Getting an actual taste of beadwork at an early age is a good start, but not everyone keeps going, or picks it up again at a later date and makes it a constant passion. For many beaders, there are other factors that make beads and beadwork irresistibly appealing. But do we love beads because of these experiences, or do these experiences stand out for us because we love beads?

To solve this mystery I went on a nostalgia trip, looking for all of the things in early life that may or may not link inner cartwheels and figurative drooling to beads, and the way that I feel about them today. At the risk of dating myself with some distinctly late 20th century fads, I’m going to share a few of the things I found on my search through photo albums and pin boards. Perhaps you’ll see a few familiar things here, too!

Collecting Freshwater Shells


The first thing I found was an old photograph of a day at the beach - one of many. The lake that we used to visit every summer had a wonderful sandy beach, and in those first few years, it was always covered in beautiful little snail shells. Collecting these shells, using them in sandcastles, and taking them home for crafts was something that I always looked forward to.

Sadly, the number of shells that we found got smaller every year, and several summers went by without a single find. I didn’t know it at first, but this was my first experience with the idea that people can drastically change an environment in a very short period of time. Fast forward a few decades, and here I am, carefully choosing beads that are the least likely to have caused anyone harm.

1980's Contac-C Commercial


The old photo album got me thinking about the days before the Internet, and some of the quaint things that we used to love ‘back in the day‘. Then I remembered how obsessed I was with a particular Contac-C commercial. In the ad, a model breaks open a cold medicine capsule, spilling out an abundance of brightly colored little ‘beads’. I was always glued to the set whenever this add came on, and this was long before I had discovered the wonder of glass seed beads. Coincidence? Or instinct? We may never know, but the fact that I remembered enough about the commercial to include the keyword ‘bus’ when looking for it must mean something.


Of course, cartoons and movies were also full of bead and gem goodness. I was fortunate enough to grow up in a small town, and had the freedom to walk home everyday for lunch - even in first grade - to eat Alpha-getti and watch Teddy Ruxpin. My favorite episode? The one where Gimmick invents a machine that turns the rainbow waterfall into colored crystals, naturally. (By the way, if this show ever ends up on Netflix, you might not see or hear from me for awhile. I'll drop everything to watch every episode!)


Do you remember push pencils? If you don’t, just imagine a pencil that you never have to sharpen, and then throw away after only a few uses. I cringe when I think about how much plastic was wasted by this particular fad, but at the time, they were delightful! For my birthday one year, I received a package of push pencils with fruit designs on them. Each one had a reservoir in the lid that was filled with tiny little scent beads to match the fruity print. I loved these pencils above all others, and spent as much time examining the little translucent beads inside as I did writing with them.

While on the hunt for an image of push pencils, I stumbled across many forgotten things from my childhood that may have contributed to, or enhanced, my love of beads.



These wooden bead toys made visiting
the dentist a treat. Still do!




If you never woke up with stick-on earrings on
your face and/or pillow, you didn't grow up in the 80's.




Remember the worry doll fad?
The smaller the better, just like beads!




I'm not sure, but I think I wanted a bike
just so I could put Spokey Dokeys on it.




Small, colorful, transparent thingies that make pictures...
Beads, or Lite-Brite?



Of course, beads and jewelry themselves played a part. Just like most girls, I spent a fair amount of pocket change on vending machine jelly bracelets. I also had a marvelous collection of brightly colored, chunky plastic jewelry a la 1980’s SAAN and Woolworth stores.

1980's Plastic Jewelry


Here I am with my aunt in 1988 or so, wearing a stretchy bracelet and rainbow plastic hearts. I loved junk jewelry, and treated it like gold. One piece that really stands out in my memory is a multi-strand stretch bracelet with white plastic pearls, and an enormous red ‘gemstone’. Even when the bracelet fell apart, I kept that plastic rock and treasured it for its size, color, and lovely transparence.

I’m still no closer to learning if bead-love is in my bones, or if I’m a product of a bead-friendly environment, but the journey was incredible! It didn’t even make me feel old, but I do have a craving for Kool-Aid and Pop-Tarts now.

Where did your bead obsession begin? Do you think it was fate or fortune that brought you together?

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